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Lengthening and Shortening 

Some experiential contrasts

With what have you had a chance to play with lengthening, eccentric contractions?

Here's some of the things I've been doing with walking:   (each numbered item is something I do for the length of a long wall at least, sometimes a full lap.)

set 1 ~ lengthening the back of the legs

  1. with one leg, for maybe 100 steps or so, as my leg swings forward, in front of the plumb line, I notice how the hamstring lengthens, pushing the calf away about the time my leg is upright, and then the calf lengthens pushing the heel forward and away, and there's even a lengthening along the bottom of the foot.
    when I first started doing this, I noticed there were areas of one hamstring that got bunchier!  
    I played with different images ... sometimes it helped to imagine a rolling pin going down the back of my leg.
  2. switch legs and notice how the same dynamic occurs (or not!) in the other leg. 
    I played with this until I could reliably track a lengthening starting at the top of the muscle, traveling down the length of the muscle towards my foot, then into the next muscle, through it, and downward.
  3. now that I've got some awareness of both legs independently, I play with seeing them alternating the lengthening.  Lengthen left, lengthen right, lengthen left, lengthen right, etc.  


    (so, total side note, there is a ton of incorrect illustrations out there about how people walk!  the best site I found is this one:  https://doctorlib.info/anatomy/classic-human-anatomy-motion/14.html)



     

set 2 ~ lengthening the front of the legs

  1. with one leg, for maybe 100 steps or so, as my foot connects with the ground, I notice how the quad lengthens, from the top down, and as my femur travels over the shins, pushes the shin away, lengthening the tibialis anterior muscle (the one on the front of the shin!) which continues the lengthening into the top of the foot pushing the ball against the ground, creating a solid column of support and in essence lifting my hips in an arc over my foot, carrying my body forward through space.
    Okay, did you brain just freeze?!?!?  the true way out of this is to just go walk around a lot paying attention to lengthening the muscles on the front of your leg, starting at hip and traveling down to the foot.  Notice when it makes sense to do the lengthening for you.
  2. switch legs and notice how the same dynamic occurs (or not!) in the other leg. 
  3. go for gold and put them together!  Lengthen left, lengthen right, lengthen left, lengthen right, etc.  



     

set 3 ~ coordinating lengthening of the front and back of the same leg

  1. with one leg, for maybe 100 steps or so, as my leg swings forward, in front of the plumb line, I notice how the hamstring lengthens, pushing the calf away, which then lengthens pushing the heel forward and away, and there's even a lengthening along the bottom of the foot.
  2. with the same leg, I switch my awareness to the lengthening along the front, which occurs 'opposite' to when the lengthening on the back occurs.  
    As my foot connects with the ground, I notice how the quad lengthens, from the top down, and as my femur travels over the shins, pushes the shin away, lengthening the tibialis anterior muscle (the one on the front of the shin!) which continues the lengthening into the top of the foot pushing the ball against the ground, creating a solid column of support and in essence lifting my hips in an arc over my foot, carrying my body forward through space.
  3. continuing with the same leg, I now switch between the lengthening in back  and the lengthening in front.   Lengthen back, lengthen front, lengthen back, lengthen front, etc.  
  4. of course, gotta do the other leg!  so I pay attention to it exclusively until I can coordinate awareness taken to the front and back lengthenings.  

set 4 ~ coordinating front of one and back of the other. (!)

  1. with one leg, for maybe 100 steps or so, as my leg swings forward, in front of the plumb line, I notice how the hamstring lengthens, pushing the calf away, which then lengthens pushing the heel forward and away, and there's even a lengthening along the bottom of the foot.
  2. with the other leg, I switch my awareness to the lengthening along the front.  This is happening at the same time as the lengthening of the back on the first leg, but I'm not trying to track both things at this time.  I'm only trying to track the lengthening on the front of the second leg.  
    ie As my foot connects with the ground, I notice how the quad lengthens, from the top down, and as my femur travels over the shins, pushes the shin away, lengthening the tibialis anterior muscle (the one on the front of the shin!) which continues the lengthening into the top of the foot pushing the ball against the ground, creating a solid column of support and in essence lifting my hips in an arc over my foot, carrying my body forward through space.
  3. Now I do what I can to track both of these at the same time.
    For me, this is a colored line which starts at the top and travels down both legs at the same time, ironing out the front of one and the back of the other.  
  4. When I've got this sorted in one direction, I switch legs and do it the other way.

This can kind of go on forever.  And, you can start to find lots of different patterns.  The question to ask yourself is: is that muscle getting long and lean or short and bunchy?  Your perceptions may change.

I will cryptically say, what you see in our legs is a lot like what you see in the horse's forelegs.  When you get this sorted in your own body, you can transfer this awareness to what is going on in the horse's forelegs -- complete with noticing when things get bunchy or when the muscles lengthen out of order.

When you are beginning to play with the horse's hind legs, it helps to do these same sets adding in the gluteal muscles and the psoas so that the lengthening comes from higher up in our body and gives you a better idea of the muscles that are moving the horse forward.

Which, as a brief mention, these muscles are the 'shallow' muscles and they are the ones that move us forward.   When we were learning to crawl as babies, our arms were doing very similar things.  These muscles carried 'us', our torso through space.

So there is a way to play with the arms as well, and you can even play with reversing everything.

Knowing that these muscles are the shallow, external, close-to-the-outside muscles that move us is an element you can add to any of the experiments and it will help sort out the role of these muscles from the role of the deep muscles.  

....

Did you give this a whirl?  Was that totally a mind bender?  Basically, it's about lengthening two different things independently and then tracking them as a pair.

What did you discover?!?  Share if you like!

More to come!

Lynn

4/20/20

 

Written Content Copyright © 01/01/2019 - present Lynn S. Larson
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Are you looking for something more in your riding?  Something that really connects the inside and the outside? Sometimes a hands on experience can do a lot to clarify something written.
I've studied horse and human anatomy for twenty five years.  I started with Centered Riding and that is solidly based upon how bodies work and how brains process information.  I know Alexander, Feldenkrais, Trigger Point, myofascial, Ortho-bionomy, how to develop resistance training programs, and more recently I am incorporating concepts from Body-Mind-Centering.  I've done yoga for more than forty years, studied (and used) the chakra and meridian systems for over twenty.  Sometimes I don't go into theory because in the middle of a lesson it would detract from the practical learning of how to ride, but I do clinics where I share this information along with how to incorporate it into your training program.  And if you really don't mind listening to me yak forever, I can easily do that during a lesson, too.  It's just most folks want to ride! 

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