You put your left hand in, You put your left hand
out....
It's a slow slow morning and I'm looking for a way to
get going -- without having to actually do anything! hmmm....
What if I just jiggle that left forearm? I can
let the fingers and bones below the wrist just hang and
dangle and dance as I jiggle my forearm. Then, maybe a
little trickier, I can jiggle my biceps/triceps and let my
forearm dangle and dance... and then move that up into
my jiggling my torso and letting my whole arm go flopsey.
Then pause and enjoy! That arm's awake! Now for the
other one! Yes!
Now the 'hard' part - I've got to get up and
stand. O wait, no I don't! I can sit and use my
hands to jiggle my legs. By holding my shin, I
can release my ankle and knee. (I'm sitting in an office
chair with a central column, so I can fold my feet back
under the seat and jiggle my heel towards my sit
bones.) By holding my thigh (this takes both hands!) I
can lift it a smidge and gentle jiggle the whole leg,
releasing the hip socket. Hmm.... not so bad. I
can feel the tingling in my leg and foot. Even
sitting, the leg feels longer. Now for the other leg.
That's probably all I can do in a chair. The
next section is to release the back by gently oscillating
the pelvis in a walking motion by slowly folding over.
As far as I can go... Which isn't so far today. My lower back is really tight, and
arching.... I'm going to see what happens if I look up
at the ceiling while I continue the oscillation. That
feels good... Now
when I oscillate forward, I have a little more
movement... Going and back and forth some... I
find some areas of my spine are flexible and others are a
little not so much... Like if, as I go forward, I let
my head hang to the right, it's actually easier... This is throwing some
Ortho-bionomy® into the mix by
allowing the body to move into comfort rather than thinking
I have to keep my spine straight. In general, there's more 'life'
in there now.
Something I really like to add for the shoulders and
to open the heart is to clasp the hands behind the back and
stretch them away from the body. This feels good
standing and also as part of the oscillating while bending
forward.
OK! I'm ready now!!!
You may have recognized this as a variation of the
"Centered Riding Shakeout." (see
below) This is one of those things lovely things
that has such little effort for such a wonderful benefit,
and I take the time with students to make sure this is done
before every ride.
Since learning this around 1990 or so I have found it
to also be useful at shows (I'll get in a corner of the
stall and shake, sometimes rather vigorously!) and I recommend
this to students to help release any 'big emotions' they may
be having - such as stage fright, anger, or test
anxiety. It's almost as if the 'big emotions' are
getting physically shook apart so they can disperse.
Several years ago I saw a nature special which helped
explain this. They'd tranquilized a polar bear and
when it began to wake up it shook violently and frothed at
the mouth. So as not to alarm the viewing audience,
the commentator explained his first reaction (alarm!) and
how it had been explained to him that this was a trauma
release and that the bear would be fine as long as it was
allowed to work though this. Sure enough, when it
finished shaking it frothing, it lumbered off looking
fine. Who knew?
After that, I realized how important it is for anyone
who has parted ways with a horse unexpectedly to be allowed
to go through this natural response. It is an odd
feeling, but important. (And there's no
frothing!) Whenever I've experienced this, there is a
little bit of delay and there is a steep build up of the
shaking. I suppose, if you've ever been so cold you
couldn't stop shivering, this can give you an idea of what
it's like. When the shaking starts, the trick is to
let go of trying to control your body, let your 'body' take
over, and let it shake it's way through it. When it
subsides, which is usually quickly, you will feel blessedly
calm.
Just recently, I experienced an odd trauma. Because it didn't have the usual hallmarks of physical
trauma, I didn't recognize it for what it was and I did shut
down the shaking. (Yes - in hindsight, I sure wished I
had not felt self conscious and had just allowed my body to
work it's way through it, but I didn't.) And to look
on the bright side, as a result, I ended up talking with
someone who is somewhat of a specialist in trauma and she
figured out that was what happened. She recommended to
me the book:
Waking the Tiger: Healing Trauma: The Innate Capacity to Transform Overwhelming Experiences.
which nicely explained what was going on and how to reawaken
the physical release of trauma, which also takes care of the
'big emotions.' If you've been through a trauma,
physical or emotional, you may also find this book/e-book helpful.
So there you have it: The Shakeout! Good for
riding, good for getting going in the morning, good for
getting rid of trauma. Very useful.
Each joint is shaken by using the bone and the joint
above it. Everything from the joint down must be limp to be
shaken. NB: Moving the part to be loosened with muscles is not
freeing it. When you're standing, be
careful not to lock the knees. NB:
In attempting not to lock the knees back, many people assume
a tai chi type pose. This locks the knees
forward. The legs can be straight and unlocked. When they are, they will waver some.
It's fun to play
with unlocked knees on a trampoline!
NB: If you have time, take inventory of your body
-- how are you standing? is your weight on your
toes? your heels? the inside of your
feet? the outside? one foot more than
the other? how's your neck? how's your
lower back? are your shoulders even? this is a 'fact finding mission.'
You're
gathering information of what state you're
in.
Now pick one hand and
only one hand, and we'll work up the arm attached
to that hand:
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SHAKE
THE WRIST
-
Lift arm up
and down at the elbow.
-
Gently try to
shake off the hand.
-
Note that the
fingers are relaxed as you shake.
-
With tense
fingers the wrist will not shake.
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SHAKE
THE ELBOW
-
Rotate
the upper arm.
-
Hang
the lower arm and hand like a stone on a string
from the elbow.
-
Shoulders
may need a small rotation to rotate the upper
arm.
NB: This is where I
usually start to lean over a little bit so my arm
can hang down like a pendulum.
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SHAKE
THE SHOULDER
-
Rotate
the shoulders.
-
Leave
whole arm limp.
-
The
body will have to rotate to rotate shoulders.
NB: This works best
if you do a little shimmy with your chest, which
is done by doing a little twist from the waist.
If you're bashful, just face a wall and no-one
will see!
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NB: Now take a pause and bring
awareness to what has changed. This is another
'fact finding mission'
- do you notice a
different quality in the arm you shook
out? how does it feel in comparison to
how it used to feel? does it feel
lighter? heavier? fuller? leaner? tingly?
higher? lower? ??? How does the arm you
shook out
- feel in comparison to
the arm you didn't do the shakeout with?
- how are you standing?
is your weight on your
toes? your heels? the inside of your
feet? the outside? one foot more than
the other? how's your neck? how's
your lower back? are your shoulders
even? did anything change?
This allows your brain
and body to process what is different. It
gives your brain time to 'connect the dots' and
figure out a different way for your body to
be. And it feels good, too!
Now we'll do the other
hand and arm. When you've done that, also
pause and take inventory. When you've done
both arms, pick a foot, and only one foot, and
we'll shake out it and the leg it's attached to.
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SHAKE
THE ANKLE
-
Shake
the lower leg from knee down to shake the ankle.
-
Shake
the foot off.
-
Note
that the toes are relaxed.
-
With
tense toes the ankle will not flex or shake.
NB: At about this
point, some folks will start flexing their foot,
which is to lift the toe using the muscles on the
front of the shin. These are the muscles we
want to leave loose. Other folks will rotate
the foot. This engages even more
muscles! The trick is to not use the
muscles from the knee down to move the foot.
Use them to jiggle the lower leg and let the foot
dangle.
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FREE
THE KNEE
-
Swing
the lower leg and foot from the knee.
-
Swinging
the thigh and pelvis makes the lower leg swing.
-
Do
not strongly snap the knee open.
NB: I have found it's
easy to lean up against a wall, or stand on one
foot if your balance is good, and, holding the leg
above the knee with both hands, lift and lower the
thigh rhythmically a few inches so that the lower
leg starts swinging like a swing.
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SHAKE
THE HIP JOINT
-
Shake
the whole leg from the hip joint.
-
Leave
the whole leg limp.
-
Rotate
the pelvis.
-
Do
the twist.
NB: OR, still leaning
up against a wall, or standing on one foot if your
balance is good, and, holding the leg above the
knee with both hands, vibrate the thigh while
noticing what's going on in the hip socket..
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SHAKE
THE SPINE LIKE BEADS ON A STRING
-
Shake
the pelvis to shake the string. NB:
I usually alternate the knees forward to
mimic a walking movement.
-
Knees
must bend and unbend alternately to shake the
string.
-
Let
the spine hang right down. Let the head, arms
and hands hang limp.
-
Pelvis
will rotate from the knees bending and
unbending.
-
If
you have lower back problems be very careful
with this exercise or maybe not do it at all.
-
Be
aware.
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The Original Centered Riding Shakeout handout that
I have is date March 1990 and is not copyrighted
but for sure, it came from the Centered Riding
folks!
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